+ See All Lessons in this Course
Lesson 1: Groove Overview (Level 2) >
Lesson 3: Developing Your Ear (Rhythmic Analysis, Part 1) >
Lesson 4: Developing Your Ear (Rhythmic Analysis, Part 2) >
Lesson 5: Meat & Potatoes Groove Intervals (Part 1) >
Lesson 6: Meat & Potatoes Groove Intervals (Part 2) >
Lesson 7: Groove Approaches (Part 1 - Effective Simplicity) >
Lesson 8: Groove Approaches (Part 2 - Varying Note Duration) >
Lesson 9: Groove Approaches (Part 3 - Eighth-Note Pulse) >
Lesson 10: Groove Approaches (Part 4 - Ostinato & Riff-Oriented) >
Lesson 11: Groove Approaches (Part 5 - Basic Slap) >
Lesson 13: Developing Your Groove Abilities, Part 1 (Metronome Studies) >
Lesson 14: Developing Your Groove Abilities, Part 2 (Musical Feels, Part 1) >
Lesson 17: Developing Your Groove Abilities, Part 5 (Musical Feels, Part 4 - “Laying Back”) >
Lesson 18: Developing Your Groove Abilities, Part 6 (Musical Feels, Part 5 - “Spot On”) >
Another simple yet very effective bass line that can be played over our drum groove is a steady stream of 8th-notes.
It sounds simple, but keeping rhythmic accuracy and consistency requires practice.
Note duration can really impact the feel of 8th-notes, too. In the following clip, the bass line employs staccato phrasing for the first 4 bars, then legato for the next 4 bars. Notice how the drums remain constant (they don’t respond to the bass part’s change in note duration as they typically would in “real world” situation - provided that the drummer was listening!), but the overall feel of the first 4 bars of the groove is very different from the last 4 bars.
Audio Example 1
Yet another example of how much the bass alone can affect the feel of a tune!
EXERCISE 1
Using our drum groove again...
Audio Exercise 1
...and just the E at the 7th fret of the A string, play a steady stream of staccato 8th-notes. Work to make them as rhythmically accurate, consistent and tight with the drums as possible.
EXERCISE 2
Repeat Exercise 1, but make the phrasing legato.
EXERCISE 3
Over 4 measures, play the 8th-notes pulse, gradually transitioning from staccato to legato phrasing. Over the following 4 measures, gradually return to the tight, staccato phrasing.